The Shootist and the Sea Urchin
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Wind chimes, praise god, I’m re-learning to shoot outside the warehouse full of dynamite. In my vest, in my pocket, blood from the still-open wound. I’m re-learning to shoot from the hip, from the gut, from the upper-class penthouse apartment of my lady friend. She lets me use her window while she makes ‘Significant Art.’ We reclaim the night, and she only asks that I don’t miss. But what I really like is the way my body is healing, how the scars are pouring their own sand, smoothing the welts. Pretty soon, I’ll be able to step back into the daytime, out of the staircase into a dirty street. I’ll raise my gun left-handed. I’ll be your mirror image. |
Tamarinds to remind you of Oscar night: those wet rocks, slick pods. It was a good performance. I jumped up on the ledge screaming I want to eat you! When in fact I only wanted to hear you say it: Yes, Yes. I wanted to be inside you, upside-down–and later, when I was I tasted your legs. I said they were the most delicious feelings. I couldn’t control them–nobody could. I saw that those legs would take you through a desert one day, to the edge of a continent. I saw that the mermaids would sing. And that you might listen to that song: This land is bitter. This land is sour. But that’s what we love about it. |